瑞典少女阿尼塔
一位年轻女子，名为安妮塔患有心理问题和性滥交，是因她混乱的童年和漠不关心的父艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。她经常和多位陌生人发生性关系，虽被她的亲友认为y-荡轻浮，也全然不在乎，只是得不到一次真正的「高潮」。当她遇见埃里克，是该地一所大学的学生，他试图通过分析她过去的关系，他帮助她的烦恼。埃里克露出她最亲密和最激烈的遭遇战之后，他决定，为了她克服她的色情狂，他首先必须让她压制难以抑制的浮滥性欲望。经历漂亮心理学家-提供强制性的同性恋诊疗，及埃里克细心观照，与一系列事件的性爱尝试，在赏心悦目的方式，自然使她达到了性高潮，直到她被;治愈
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剧情简介
一位年轻女子，名为安妮塔患有心理问题和性滥交，是因她混乱的童年和漠不关心的父艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。她经常和多位陌生人发生性关系，虽被她的亲友认为y-荡轻浮，也全然不在乎，只是得不到一次真正的「高潮」。当她遇见埃里克，是该地一所大学的学生，他试图通过分析她过去的关系，他帮助她的烦恼。埃里克露出她最亲密和最激烈的遭遇战之后，他决定，为了她克服她的色情狂，他首先必须让她压制难以抑制的浮滥性欲望。经历漂亮心理学家-提供强制性的同性恋诊疗，及埃里克细心观照，与一系列事件的性爱尝试，在赏心悦目的方式，自然使她达到了性高潮，直到她被;治愈
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上世纪九十年代，特大伪钞案暗流涌动，社会动荡不安。退役散打王郑明为救治白血病女儿，意外踏入凶险的伪钞产业链，在生死边缘挣扎求生。刑警谢家同誓破伪钞源头，二人从针锋相对到暗中周旋，上演猫鼠博弈。郑明在暴利与良知间反复拉扯，暗中向警方传递线索，试图戴罪立功。当他决心交出核心伪钞母版、彻底脱身时，女儿却被绑架要挟。绝境之下，他与谢家同放下隔阂，联手出击，在宗族宗祠与民俗游行中展开终极血战，捣毁庞大伪钞帝国，以热血捍卫正义与亲情。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.