埃里克·尼采的早年生活
在上个世纪七十年代末期,聪明但缺乏经验的伊瑞克决心要成为一名导演,他幸运地获得丹麦国家电影学院的入学许可,费尽心机与情绪不稳定的指导教授及行事缺乏逻辑的怪胎同学奋战,努力往导演之路前艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。
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剧情提要
在上个世纪七十年代末期,聪明但缺乏经验的伊瑞克决心要成为一名导演,他幸运地获得丹麦国家电影学院的入学许可,费尽心机与情绪不稳定的指导教授及行事缺乏逻辑的怪胎同学奋战,努力往导演之路前艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。
暗夜精选
捕蛇者说
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Latkamon Pinrojkirati,Anchalee Saisoontorn,加图蓬·丹古来凯多湖的消失
迪伦·奥布莱恩,伊莱扎·斯坎伦,黛安娜·霍佩尔,卡罗琳·福克,山姆·亨宁斯,埃里克·兰格,劳伦·艾波罗丝,Nina Leon,兰斯·E·尼克尔斯,大卫·马尔登那多,基姆·巴蒂斯特,Jody Sellers,Greysen Conley,Jules Hilillo Fernandez,Jennifer Sellers,Larry S. White II,A.C. Cooper,Zedrick Tinsley,Elizabeth Feliciano诸葛四郎-大战魔鬼党
王辰驊,蔣鐵城,王希华巫咒
王楠楠,田诗雨,张瀚文,刘宇锋,姜景中,王倾,关鹏,刘頔,郭子恒,宋卓然太空孤航
亚当·桑德勒,凯瑞·穆里根,保罗·达诺,昆瑙·内亚,伊莎贝拉·罗西里尼,莉娜·奥琳,彼得·帕帕内克,玛丽安·罗登,苏珊娜·斯狄沃诺娃, 西妮德·菲尔普斯,珊妮·桑德勒,约翰·夫兰达斯,巴什·多兰,彼特·布拉哈,米库拉斯·奇泽克,杰西卡·贝钦诺娃,索娜·博蒙特,金伯利·韩,勇·李,埃尔克·卢顿单独之恋
凯文·詹姆斯,乔纳森·鲁米,金·寇兹,艾莉森·汉尼根,朱莉·安·埃默里,妮可·吉玛多,茱莉·塞尔达,朱莉娅·梅西娜同系列推荐
村民总动员
阿图尔·巴奇斯,Angelika Cegielska-Swiatek,菲利普·古拉克斯,Mateusz Janicki,Piotr Pregowski,Anna Seniuk,安娜·希曼奇克,乔安娜·特兹佩西丝卡,Cezary Zak,维克多·兹波罗夫斯基超狗任务
杰森·李,艾米·亚当斯,彼特·丁拉基,詹姆斯·贝鲁什,帕特里克·沃伯顿罗伯特玩偶的复仇
Lee Bane,Harriet Rees,Judith Haley交响诗篇超进化3
困在时间里的父亲
安东尼·霍普金斯,奥利维娅·科尔曼,马克·加蒂斯,奥莉维亚·威廉姆斯,伊莫琴·普茨,卢夫斯·塞维尔,阿耶莎·达尔克,罗曼·泽勒,雷·伯内特,阿德南·昆迪,斯科特·穆林斯,布赖恩·罗杰,艾薇·维劫车
Ron Perlman,Saffron Burrows幕后花絮
战斧骨
美国西部某个小镇,警长富兰克林·亨特(库尔特·拉塞尔 Kurt Russell 饰)夜晚射伤了一名可疑的流浪汉,随后他请来小镇医生萨曼莎(莉莉·西蒙斯 Lili Simmons 饰)为嫌疑人治疗。夜深人静,一名马夫遭到神秘入侵者残忍杀害,而嫌疑人和萨曼莎也消失无踪。富兰 克林深感事态严重,他召集萨曼莎的丈夫亚瑟·欧·德怀尔(帕特里克·威尔森 Patrick Wilson 饰)以及其他村民们在当地酒馆开会,进而得知昨晚的事可能是一个神秘的穴居人所为。这群野蛮人近亲通婚,甚至会吃掉包括亲生母亲在内的人类。虽然凶险无比,富兰克林以及其他勇士决心勇闯穴居人的老巢,救回被绑架的村民,这次征程凶多吉少……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.