居酒屋女老板们：今天要进补一下吗？
庆州，经营居酒屋的女社长。她离婚的最好的朋友来她家住。完成生意后，庆州通过与年轻英俊的男性兼职工人发生性关系来放纵自己。两个想通过年轻兼职工人照顾自己的女人等待生意结束
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庆州，经营居酒屋的女社长。她离婚的最好的朋友来她家住。完成生意后，庆州通过与年轻英俊的男性兼职工人发生性关系来放纵自己。两个想通过年轻兼职工人照顾自己的女人等待生意结束
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古川琴音,松大航也,桥本和雄火拼
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别来这儿
在西班牙马略卡岛的一次旅行中，两位年轻女子（吉尔和薇薇安）在一家偏僻的酒吧里遇到了一群欧洲游客。她们一起游览了当地的徒步路线，却以薇薇安惨遭杀害而告终。友谊逐渐被猜忌和恐惧所取代，幸存者们开始努力找出潜伏在她们中间的凶手。——布鲁克法官
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.