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非传统浪漫关系
朱颜曼滋,任彬,赵小棠,王天放,于谨维,王劲松,金广发,王勉,颜安,赵夕汐,孙丞潇 ,张帆,钱迪迪,汪曲攸,邓飞,于小彬,丁文博,牛犇,葛兆美软壳
Caledonia Abbey,Legyaan Thapa,沙西通·巴尼诺,约翰尼·齐托,Mako San,艾德·马龙,Cara Ronzetti,Nathaniel Strobl,里斯·斯卡拉博西奥,伊内斯·霍伊塞特·艾瑟森,明真好,Blake James Reid复仇公主斯嘉丽
芦田爱菜,冈田将生,役所广司,市村正亲,吉田钢太郎,齐藤由贵,松重丰,山路和弘,柄本时生,青木崇高,染谷将太,白山乃爱,白石加代子尸油降
卡文·英玛诺泰,Supawadee Kitisopakul,ชัยยุทธ กิติชัยวัฒน์三十一
伊丽莎白·戴利,雪莉·穆恩·赞比,丹尼尔·洛巴克,劳伦斯·希尔顿-雅各布斯FPS
道本成美,泉知束,米澤成美,南久松真奈,岩永ひひお钢铁飞龙之再见奥特曼
侯勇,大张伟,金晨,曲哲明,向佐,罗云熙,郝劭文,汪铎,屈菁菁同系列推荐
中华战士
杨紫琼,吴耀汉,尔冬升,卢冠廷,刘芊蒂,松井哲也,陈敬,张耀星,赵志凌,冯克安,黄正利,谷峰,刘晃世,罗莽,谭伟民瘟疫
乔尔·埃哲顿,埃利奥特·赫弗南,埃弗雷特·布伦克,凯奥·马丁,肯尼·罗斯牧森,卢卡斯·阿德勒,科尔顿·李,Kolton Lee我的学姐是青蛇
万圣节传说
波波·斯图尔特,格蕾丝·菲普斯,奥斯丁·法尔克,阿德里安娜·巴比欧,凯尔·吉克瑞斯特,山姆·威特沃,巴瑞·波斯威克,格雷戈·格伦伯格,林·沙烨,约翰·兰迪斯,何塞·巴勃罗·坎蒂略,芭芭拉·克兰普顿,乔·丹特,亚当·格林,罗伯特·拉斯勒,诺阿·西甘,帕特·希利,斯图尔特·戈登,米克·加里斯,拉斐尔·乔丹,宝拉雅娜·麦金托什,詹姆斯·杜瓦尔,艾丽克斯·埃索,克里斯蒂娜·克莱伯,卡罗琳·威廉姆斯,达纳·古尔德格拉德贝克人质事件
萨沙·亚历山大·吉尔萨克,亚历山大·谢尔,Marie Rosa Tietjen,阿尔布雷希特·舒赫夺魂医生
Andrew Prine,Jason London,Carlos Lauchu幕后花絮
零食小屋
内布拉斯加州，1991年，两个最好的朋友有机会经营游泳池小吃店，后来成为越轨、娱乐、个人发现和浪漫的完美场景。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.