【韩国三级】他的秘密性爱
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黎娜需要爱
艾米利亚·舒勒,雅尼克·许曼,Kyra Sophia Kahre黎娜（艾米丽亚·舒勒 Emilia Schüle 饰）的故事非常悲伤和充满挫折。她从小生活在单亲家庭中，母亲只顾着自己的情感生活，忽视了对黎娜的关爱和支持。因此，她在学校里无法与同学们建立良好的关系，被视为怪异的存在，感到孤立和无助。然而，黎娜有一个隐藏的天赋：视觉艺术。她通过社交网络平台结识了同班同学提姆（雅尼克·许曼 Jannik Schümann 饰），两人因为对艺术的共同热爱逐渐互相了解和倾诉心声。他们的心灵相通，找到了互相支持和理解的温暖。 然而，黎娜的唯一好友背叛了她，陷害她成为卖提姆毒品的告密者。从那一刻起，她遭受了持续的诬陷和误会，被社会孤立和排斥。无论她多么努力地解释自己的清白，都无法挽回已经造成的后果。
寻找身体2
桥本环奈,真荣田乡敦,樱井海音,安齐星来,铃木福,本田真凛,吉田明彦森崎明日香在破解校园诅咒后消失，三年后，新一批高中生被困在深夜游乐园，陷入 “被红衣人杀死就重复同一天” 的循环。而追杀他们的红衣人，正是被诅咒吞噬的明日香。众人一边求生，一边试图解开诅咒、拯救变回怪物的她。
埃迪森
LL Cool J,贾斯汀·汀布莱克,摩根·弗里曼,凯文·史派西,迪伦·麦克德莫特,约翰·赫德,加利·艾尔维斯,罗塞莉·桑切斯,达米恩·丹特·韦恩斯,马尔科·桑切斯,关永扬,安德鲁·杰克森,派珀·佩拉博,布赖恩·詹尼斯,叶芳华,罗伯特·米亚诺,BJ·哈里森,雷克哈·莎尔玛,彼特·科拉米斯,Klodyne Rodney,格伦·恩尼斯,克里斯·高瑟,塞奇·布洛克班克,瑞秋·斯派克特,吉姆·拜恩尼斯,布瑞恩·德拉蒙德,瓦妮莎·托马西诺,大卫·帕拉菲,阿丽克西斯·卢埃林,Holly Eglington,卡佳范瑞西故事发生在一个虚构的城市——埃迪森市中，在那里，执政者和执法者相互勾结，黑恶势力层出不穷，金钱和权利的交易每天都在发生，这些黑暗和腐败犹如一只巨大而厚重的手掌，控制了整个城市和生活在其中的人们。波拉克（贾斯汀·丁伯莱克 Justin Timberlake 饰）是一名尚且保留了赤子之心的记者，精明的他很快就察觉到了发生在这个城市中的种种罪恶，心怀远大理想的他决定将它们一一揭发。 波拉克的举动很快就惹恼了他正在调查的对象们，他们决定灭掉这个不知好歹的小子。在危险之中，波拉克只得求助于自己的老板艾斯佛（摩根·弗里曼 Morgan Freeman 饰）——一个良心尚存的老记者，在艾斯佛和其好友华勒斯检察官（凯文·史派西 Kevin Spacey 饰）的帮助下，波拉克正在一步一步的接近真相。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
拍得不错
方中信,周柏豪 ,张兆辉,蔡卓妍,卢海鹏,林雪,李灿森,应采儿,苗侨伟,宣萱由五個單元故事組成的GOOD TAKE，是香港電影新一代導演的創新作品，包括導演曾國祥《水泥》，講述警員9413（周柏豪）前往報案地點查案，最後只留下電話鈴聲卻不見其人，令人毛骨悚然；導演黃智亨的《囍宴》，一個小孩跟著跟爸爸（張兆輝飾）一起前赴媽媽新婚囍宴的故事，童真與成年人的無奈都盡在心頭；導演黃進的《Good Take》，透過甘草演員泰勒(盧海鵬飾)的生活是向資深電影從業員致敬的故事；導演楊龍澄的《不一定》，以型格對比色彩重構暴力血腥鏡頭；導演黃精甫的《嚇鬼》，Charlene（蔡卓妍飾）挑戰鬼屋一夜遊，遇上中國殭屍、長髮貞子和辮子姑娘，過程又驚又笑！五個故事各自有著不同風格及不同戲味！
奉魔之名
索菲·瓦瓦塞尔,史蒂芬·比灵顿,Richard Felix,乔·安妮·斯托克汉姆,Lazzaro E. Oertli Ortiz,Isamaya Ffrench,托米·巴斯托,Emma Reynolds,道格·布拉德利,Brendan Price,Clàudia Costas,Cristina Cervià,Francesc Ten,Joan Roca,Pere Raich正值青春期的少女艾玛（苏菲·瓦瓦希尔 Sophie Vavasseur 饰）因小事与父母发生争吵，继而用玻璃碎片割破自己的手掌。在此之后，父母子女的关系虽有所松动，但是新的危机已悄悄展开。艾玛是不是会做出些奇怪的举止，这令父母异常担心，于是只得将艾玛留在家中接受教育。期间他们尝试带女儿去看具有催眠本领的心理医生，谁知医生最终猝死艾玛的膝上。艾玛自感自己已被魔鬼附体，因此不顾崇尚科学的父母的反对，执意求助于因驱魔失败而被革除神职的舅舅基斯（道·布莱德利 Doug Bradley 饰）。 基斯似乎渐渐证实了艾玛的猜测，而她体内那股邪恶的力量也变得越来越强大……