虽然是为丈夫准备的睡衣
虽然性格莽汉，但很秀丽的由艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。穿着性感内衣等待丈夫回家时，按铃的是搬到隔壁的小泽一郎。为了打招呼并分发新鲜的食材，来到了这里，结果遇到了穿着内衣的由一。由一对与丈夫的疏忽感到不满，最终与小泽一郎发生了激烈的婚外恋。
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时速72
弗兰克·斯帕诺,乔治·阿克拉姆百万富翁Diego Verastegui（Gustavo Alatriste 饰）在他自己的家里被杀害，保险箱里宝贵的公文包也被取出来了，当Diego Verastegui的保镖回到家时，他发现了三名犯罪嫌疑人：Carlos Verastegui（George Akram 饰），百万富翁的儿子；Anna Karina（Guillermo Londoño 饰），一个可爱的女孩；安德烈斯，一个放荡不羁的魔术师。三人各执一词，究竟他们谁才是杀害Diego Verastegui的凶手？
同盗中人第二季
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77号顶层公寓
芭比·福特萨,Euwenn Mikaell,JC·阿尔坎塔拉,罗桑娜·罗瑟斯,Jackie Lou Blanco,卡洛斯·西古伊纳-瑞纳,吉娜·帕雷诺,Chrome CosioLuna, a cruise ship chambermaid, has to quit her job to attend to her sick brother. While doing so, she discovers that her mother has gone missing and her brother's condition is getting progressively worse. The siblings desperately sneak into an empty condo unit but soon discover that Penthouse 77 is not what it seems.
草莓月亮
当真亚美,斋藤润,杉野遥亮,中条彩未,中山裕介,田中丽奈,池端杏慈,黑崎煌代,吉泽要人,伊藤健太郎,泉泽祐希,池津祥子,桥本润,黑岛结菜本片改编自同名小说。樱井萌（当真亚美 饰）从小体弱多病，无法上学，也没有朋友，每天独自度过时光。她一直有一个小小的梦想——在自己生日那天，与喜欢的人一起观赏据说能让恋人永远相守的六月满月“草莓月亮”。然而，15岁那年冬天，她被告知生命所剩无几。 从医院回家的路上，萌邂逅了命中注定的人，并下定决心进入高中就读。入学典礼当天，她在初次见面的情况下，向同班同学佐藤日向（斋藤润 饰）突然告白，人生第一次恋爱就此开始。终于到了共赏草莓月亮的那一天，但从那天起，萌突然从学校消失，日向再也无法联系上她。而萌离开的真相，以及13年后传来的秘密究竟是什么…
寻砖
张亮,鄂靖文,刘俊孝,郑强,赵毅,李宝安,红花,傅花道,耿一正,周培岩野长城丢了一块砖，富贵为了寻找自己藏在砖里的戒指，踏上寻砖之路。
公寓2024
斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.