处女地/十日谈

★ 2.8 播放:49万 更新:2026-05-24

故事发生在十四世纪,可怕的黑死病席卷意大利。年轻的洛伦佐和佛罗伦萨富有的拉拉塔做了对头,为躲避拉拉塔的迫害,洛伦佐逃到乡间的修道院充当花匠。在修道院里,洛伦佐遇见了美貌少女庞贝尼娅,她的父亲因欠拉拉塔债难以偿还,把她许配给仇家抵债,因此她也躲在乡间静修。修女的伪装也遮挡不住庞贝尼娅的容貌,两人不由自主地相嗳了。祂们遇见八个少侽少女,为躲避瘟疫逃难到这里,这些涉世不深的年轻人们,相约每天聚会,大家各讲一个故事,互相解闷。

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剧情简介

故事发生在十四世纪,可怕的黑死病席卷意大利。年轻的洛伦佐和佛罗伦萨富有的拉拉塔做了对头,为躲避拉拉塔的迫害,洛伦佐逃到乡间的修道院充当花匠。在修道院里,洛伦佐遇见了美貌少女庞贝尼娅,她的父亲因欠拉拉塔债难以偿还,把她许配给仇家抵债,因此她也躲在乡间静修。修女的伪装也遮挡不住庞贝尼娅的容貌,两人不由自主地相嗳了。祂们遇见八个少侽少女,为躲避瘟疫逃难到这里,这些涉世不深的年轻人们,相约每天聚会,大家各讲一个故事,互相解闷。

导演精选

冲破铁幕

  迈克尔(保罗·纽曼 Paul Newman 饰)是一位非常优秀的火箭科学家,同时也是国家重点保护的珍贵人才。莎拉(朱丽·安德鲁斯 Julie Andrews 饰)是迈克尔的助手,同时也是他的未婚妻,某日,两人共同前往哥本哈根,去参加在那里举办的研讨会。  在哥本哈根的日子里,迈克尔的行为举止表现的非常的怪异,就连向来能够理解他的莎拉都感到百思不得其解,他的所有诡异行为只有一个解释,那就是他要背叛自己的国家,逃往东德。为了弄清楚事情的真相,莎拉开始了对于迈克尔的调查,哪知道最终,莎拉选择了和迈克尔一起叛逃。这对夫妻的行为背后,有着不为人知的目的。

一个星期三的下午

  一名男子打电话给孟买警方并告诉他们,他已经把5个不同的炸弹安置在城市之内,并已经设定在同一时间爆炸-他希望以此交换4名恐怖分子。他是否能换回他们?背后的黑手是谁?动机又是什么呢?是否不是表面上看起来那么简单呢?

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster