影片推荐
长腿
麦卡·梦露,尼古拉斯·凯奇,布莱尔·安德伍德,艾丽西亚·维特,米歇尔·乔伊-李,达科他·道尔比,劳伦·阿卡拉,琪兰·席普卡,贾森·戴,丽莎·钱德勒,莱拉·麦金托什,卡梅尔·阿密特,沙芬·卡里姆,丹尼尔·巴孔,瓦内萨·沃尔什,斯科特·尼科尔森这个阿爸真爆炸
梁家辉,蔡卓妍,关智斌罗伯特玩偶的复仇
Lee Bane,Harriet Rees,Judith Haley养鬼吃人6：死亡代码
迪恩·文特斯,Ashley Laurence,Doug Bradley金箍上的裂痕
寻女朝圣路
切柯·扎罗内,比阿特丽斯·阿荷纳,莱蒂娅·阿诺,Martina Colombari,Beatrice Abbro,Norberto Morán,David Salinas,杰克·福赛思-诺布尔,Cecilia Gragnani,Llimoo,Marko Salminen,Hossein Taheri,Eduardo Diaz,Carlos Toca,Fanny Gatibelza,Jan Zawisza,Odón Nicolau,Robi Arquette,Lola Perez-Juana,Frances同类精选
擒凶记
詹姆斯·斯图尔特,多丽丝·黛,布伦达·德·班泽,伯纳德·迈尔斯,拉尔夫·杜鲁门,丹尼尔·盖林,阿兰·莫布雷,希拉里·布鲁克,克里斯托弗·奥尔森,雷吉·纳尔德,理查德·沃迪斯,诺埃尔·威尔曼,伊夫·布雷维尔,卡罗琳·琼斯,伯纳德·荷曼,帕特里克·艾亨,弗兰克·艾伯森,弗兰克·贝克,奥利弗·克罗斯,Mogens Wieth,Alix Talton,Frank Atkinson,沃尔特·培根,Betty Bascomb,Eumenio Blanco,Lovyss Bradley,克利福德·巴克顿,Albert火箭手
比利·坎贝尔,詹妮弗·康纳利,艾伦·阿金,提摩西·道尔顿,保罗·索维诺,特瑞·欧奎恩,埃德·劳特尔,詹姆斯·汉迪,Robert Miranda,乔·鲍里托,埃迪·琼斯,威廉·桑德森,Nada Despotovich,玛格·马丁戴尔,America Martin,马克斯·格隆切克,迈克尔·米尔汉,乔·达安格里奥,克林特·霍华德,Tommy J. Huff,帕特·克劳福德·布朗,朱利安·巴恩斯,彼得·布罗米洛,Tom Kindle,威廉·弗兰克神父,诺伯特·魏塞尔,梅罗拉·哈丁,瑞克·欧弗顿,Dick War光荣何价
大卫·卡拉丁,Ronny Cox,兰迪·奎德,梅林达·狄龙机动战士高达00剧场版先驱者的觉醒
宫野真守,三木真一郎,吉野裕行,神谷浩史,本名阳子,东地宏树,高垣彩阳,户松遥,小笠原亚里沙,高山南,滨田贤二,中村悠一,上田祐司,钉宫理惠,入野自由,斋藤千和,矶部勉,古谷彻,藤田淑子,恒松步,根谷美智子,川岛得爱,白鸟哲,梅津秀行,早水理沙,佐藤有世,松本保典,置鲇龙太郎,谷口节,小室正幸,白石凉子,游佐浩二,小形满,古岛清孝,清水美智子,奈良彻,星野贵纪,佐藤健辅,广田诗梦,胜地凉鬼声波
罗丝·麦高恩,克里斯托弗·洛伊德,迈克尔·艾克朗德,理查德·古恩,Jane Moffat凯文·哈特吐槽大会
凯文·哈特,肖恩·吉利斯影视排行
最小的女儿
纳迪亚·梅利蒂,朴智敏,阿米娜·本·莫哈迈德,梅丽莎·古尔斯,丽塔·邦曼纳纳,Razzak Ridha,路易·梅米,Waniss Chaouki,阿诺亚·卡德拉斯,Joven Etienne,Madi Dembele,Mahamadou Sacko,Ahmed Kheloufi,Pascal Chanez,Sophie Garagnon,Julia Muller,尼莫·谢夫曼,Gabriel Elkaïm,Vincent Pasdermadjian,Victorien Bonnet出身穆斯林家庭的少女法蒂玛，即将前往巴黎读大学。站在人生岔路口，她面临性向与信仰的缠斗。对女体难以启齿的贪恋，化为交友软件上无数个假名与忘我缠绵的幽会。随着晨祷掺入杂念，法蒂玛遇见命定的那个她，在亲密关系里感受爱与伤，却依旧迷茫。四季递嬗间，那些扪心自问的日与夜，会将法蒂玛带往何方？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
特蕾莎修女
劳米·拉佩斯,西尔维娅·侯克斯,尼古拉·里斯坦诺夫斯基,Ekin Corapci,Marijke Pinoy,拉宾娜·米特威斯卡讲述特蕾莎修女一生中关键的7天，即她决定离开加尔各答的洛雷托·恩塔利修道院，创立自己的修道会的时期。
毛骨悚然撞鬼经 2012夏季特别篇
山下智久,冈田将生,香里奈,刚力彩芽,スギちゃん,稻垣吾郎,本田翼,堀内敬子,莲佛美沙子,洼田正孝,桥本真实,菅田将晖,高桥光臣,手塚理美,木南晴夏,池津祥子《红指甲》备受人际关系困扰的公司职员石田（山下智久 饰）回家途中意外拐错了叉路口，险些丧命。据说走错叉路口的人绝对不可以把看到的东西告诉别人，否则对方将遭遇不幸。某晚，石田突然想起了那一天看到的景象。《被诅咒的病室》新人护士佐野爱莉（刚力彩芽 饰）偶然发现，居住在308病房的病人，去世前总会凝视着病房屋顶某个地方，那里似乎有什么东西存在。《右肩之女》近段时间，青年利也（冈田将生 饰）总是感觉肩膀很沉，他颇有些灵力的女友告诉他，他的右肩待着一位大婶；《午夜末班车》男子（スギちゃん 饰）看错时间，错过了一个小时前的地铁末班车。正当他懊悔之际，他的眼前停靠了一辆空无一人的列车；《夏日回忆》聪美（香里奈 饰）不久前与爱慕自己的青梅竹马好友小悠（菅田将晖 饰）生离死别，某天晚上，小悠的身影出现在聪美床头……