敏儿-紧缚新娘

7.8 播放:04万 更新:2026-05-26
主演: 未知/

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即刻观影

剧情赏析

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编辑推荐

后来的我们韩版

具教焕,文佳煐,姜末琴

在开往家乡的客运上,恩浩(具教焕 饰)遇见了休学后下定决心要前往某处的正媛(文佳煐 饰),产生了一段不可思议的缘分。为彼此的梦想加油的两人,不知不觉地深入对方的生活,成为了一对恋人。一同欢笑、争吵、和解的两人,虽然拥有了世上最炽热的爱,但面对残酷的现实,两人最后仍选择分道扬镳。就这样过了10年,再次遇见彼此的瞬间,恩浩问了正媛一直很想问的问题“如果我们……”                                                                        影片改编自2018年刘若英执导的《后来的我们》。

格吉(杀人鬼)

卡文·英玛诺泰,Supawadee Kitisopakul,ชัยยุทธ กิติชัยวัฒน์

  

谍影行动

加里·奥德曼,科林·费尔斯,汤姆·哈迪,约翰·赫特,托比·琼斯,马克·斯特朗,本尼迪克特·康伯巴奇,塞伦·希德,大卫·丹席克

  冷战时,全球两大特工组织——俄罗斯“中心”与英国“圆场”明争暗斗。特工遇害,高层震怒,责成“圆场”挖出“地鼠”。怀疑对象共有5人,即圆场上任“老总”命名的锅匠,裁缝,士兵,穷人,乞丐。其中,金盆洗手的“乞丐”乔治·史迈利(加里·奥德曼 Gary Oldman 饰)本来有重大嫌疑。某日,行动组-剥头皮组头目的彼得·吉勒姆(本尼迪克特·康伯巴奇 Benedict Cumberbatch 饰)与英国内阁办公室谍报总监拉康排除了史迈利的嫌疑,令其重新出山,负责挖出“地鼠”。于是,史迈利开始分别走访故人,调查“圆场”老大阿勒莱恩,裁缝-比尔·海顿(科林·费斯 Colin Firth 饰),士兵-掌管东欧事务的资深间谍罗埃·布兰德,穷人-后勤部门点路灯组组长托比·伊斯特哈斯。一时间,圆场疑云密布,人人自危,究竟谁才是“地鼠”……  本片本片根据约翰·勒卡雷的同名小说改编。片名来自英国民间的“鹅妈妈童谣集”。

父影之下

索佩·迪瑞苏,Godwin Egbo,Chibuike Marvelous Egbo,Efòn Wini,Tosin Adeyemi,Adesina McCoy Babalola,Lawrence Chu,Yetunde Coker,Akerele David,瓦莱·戴维斯,Patrick Diabuah,Paul Edobor,玛莎·厄赫诺梅,Adodo Emmanuel,Patrick Essien,Olarotimi Fakunle,Ikechukwu Gabriel,Fred Ideh,Ebuka

雷米与阿金这对小哥俩,终得与疏离多年的父亲弗拉林共享难得一日。三人游走在初次相见的巨型都市拉各斯,少年窥见钢筋森林的奇观,亦目睹父亲谋生路上的重重难关。此刻整座城市正笼罩在1993年总统大选结果的巨大阴云之下,而父子三人的归家之路,竟也成了选票漩涡中飘摇的未知数。

复仇双雄

奥马尔·查帕罗,亚利桑德罗·斯佩特泽尔,葆拉·努涅斯,娜塔莉亚·索利安,路易斯·阿伯提,Vasil Simeonov,伊阿祖娅·拉里奥斯,Lizeth Selene,古斯塔沃·桑切斯·帕拉,Ana Carrillo,Gaudi Chris,José Salof

故事围绕墨西哥特种部队精英卡洛斯(绰号“公牛”)展开,他在一次任务中成功抓获了犯罪集团头目,却因此遭到报复,妻子在他面前被残忍杀害,自己也沦为通缉犯。走投无路之际,他意外中了彩票头奖,一夜之间拥有了复仇的资本。他与挚友、战友米格尔联手,将全部财富转化为武器和情报,从被通缉的逃犯,变成了以暴制暴的“复仇猎人”,目标是让所有参与杀害他妻子的人,付出最惨痛的代价。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.