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精灵宝可梦:幻影的霸者索罗亚克
松本梨香,大谷育江,上田祐司,丰口惠美,小樱悦子,加藤夏希,塚本高史,林原惠美,中川翔子,山寺宏一,朴璐美,间宫胡桃在风景秀丽,气候宜人的王冠市,即将举行神奇宝贝足篮世界杯比赛,届时,大批的观众和训练师会涌入此处,整个城市将会陷入一片欢乐的海洋之中。小智(松本梨香 配音)一行人正在前往王冠市的路上,旅途中,他们遇见了名为索罗亚的神秘神奇宝贝,它不仅能够幻化成人类的姿态,还能够通过心电感应和人类交流。小智和索罗亚结伴前行,哪知道王冠市竟然发生了神奇宝贝暴动事件,雷公、炎帝和水君本是城市的守护神,却不知为何向市民们发起了进攻,城市之中一片混乱景象。这一切的始作俑者是名为克林克斯(阵内孝则 配音)的企业家,而他亦是索罗亚想要寻找的同伴。
狄仁杰之通天浮屠
罗立群,许翔,张婉琳,侍宣如唐载初年,位于郊外校场倒塌的通天浮屠残骸一夜之间复活。天空中一条火龙照亮夜空,并喷射火球摧毁了整个校场,死伤无数。随后通天浮屠也燃起大火,化为灰烬。而异族鬼道在城外叫嚣,只有武则天效仿大佛自焚,天下才可免受灾难。城中内外人心惶惶,狄仁杰奉命彻查此案,却遇到了与自己有过节的大理寺少卿裴东升。二人不打不相识,被迫一起调查此案。面对外敌的入侵,队友的不信任,狄仁杰决心背水一战,势要查明案件的真相。
外星恋
杰夫·布里吉斯,凯伦·阿兰,查尔斯·马丁·史密斯,理查德·杰克尔,Robert Phalen,Tony Edwards,John Walter Davis,Ted White,德克·布罗克,迈克·康纳·盖尼,Sean Stanek,乔治·“巴克”·弗劳尔,Russ Benning,Ralph Cosham,David Wells,亚历克斯·丹尼尔斯,Mickey Jones,露·莱纳德,约翰·卡朋特,黛博拉·蔻儿,伯特·兰卡斯特,Nick Sagan约翰.卡彭特导演的这部科幻片并没有强调特技噱头,反而将重心放在异乡人的主题上,而且拍出了相当浪漫动人的气氛,甚至可以将它当作一部取外星人为主角的文艺片来欣赏。杰夫.布里奇斯饰演一名纯真的外星人,他的宇宙飞船被地救人击落,掉在威斯康辛州的荒野。他负伤来到新近丧偶的寡妇凯伦艾的家中,并且借用她丈夫的身体来延续生命。在学习地球人的生活方式过程中,他跟寡妇发生了感情。外星人的救援队将在三天后到达亚历桑纳州接他回外层空间,他需要寡妇开车送他到那里。地球上的两位政府官员也接获讯息,他们决定不管生死都要捉住外星人,因而引发了一场精彩的拉锯战。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
极限启航
朱丽叶·塞茜尔,Esmeree Sterling,Brennen Amonett继水星和金星之后,地球也面临存亡危急之秋,太阳黑洞的扩张持续加大,与曾在战争交手的火星人合作,似乎是人类活下去的唯一希望…。
15点17分,启程巴黎
斯宾塞·斯通,安东尼·萨德勒,亚历克·斯卡拉托斯,朱迪·格雷尔,珍娜·费舍,贾里尔·怀特,托马斯·列农,托尼·海尔,P·J·伯恩,布莱斯·吉扎尔,斯蒂芬·考特尔,罗伯特·普拉尔戈,加里·维克斯影片源自真实事件,讲述2015年8月一列从阿姆斯特丹开往巴黎的高速列车上发生了恐怖袭击事件,三位美国士兵挺身而出将歹徒制服的故事,电影将根据三位当事人的回忆录改编。