波多野结衣之无法抗拒 ORBK-005

★ 7.5 播放:76万 更新:2026-05-27
主演: 未知/

美麗人妻美優紀和友人彩也香,被變態男子盯上,讓她們成為自己的催眠奴隸,還讓她們服用春藥。美優紀失去了自我的意識,只能聽從變態男的指使,任對方踐踏、玩弄自己的肉體,美優紀的性感指數完全破表。日子一久,也讓美紀優的身體和心靈受到嚴重摧殘,影響了日常生活。被人完全控制之下的她,被調教成為一名變態女子……

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剧情简介

美麗人妻美優紀和友人彩也香,被變態男子盯上,讓她們成為自己的催眠奴隸,還讓她們服用春藥。美優紀失去了自我的意識,只能聽從變態男的指使,任對方踐踏、玩弄自己的肉體,美優紀的性感指數完全破表。日子一久,也讓美紀優的身體和心靈受到嚴重摧殘,影響了日常生活。被人完全控制之下的她,被調教成為一名變態女子……

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好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster